vineri, 23 septembrie 2011

Exhibit explores American folk art of quilts

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A quilt titled ''Log Cabin, variation; Barn Raising,'' 1880-1890, by Anna Lay Park that is displayed as part of the ''Unfolding Stories: Culture and Tradition in American Quilts,'' exhibition at the Fenimore Art Museum in Cooperstown, New York, is shown in this undated handout photo. REUTERS/Richard Walker/hANDOUT

1 of 2. A quilt titled ''Log Cabin, variation; Barn Raising,'' 1880-1890, by Anna Lay Park that is displayed as part of the ''Unfolding Stories: Culture and Tradition in American Quilts,'' exhibition at the Fenimore Art Museum in Cooperstown, New York, is shown in this undated handout photo.

Credit: Reuters/Richard Walker/hANDOUT

By Edward Krudy

NEW YORK | Mon Sep 19, 2011 3:17pm EDT

NEW YORK (Reuters) - Looking at an American folk quilt is like being engulfed in a starburst of swirling shapes and vibrant colors.

"Unfolding Stories: Culture and Tradition in American Quilts," an exhibition at the Fenimore Art Museum in Cooperstown, New York, features some of the best works of the rich tradition of quilting .

Jacqueline Atkins, the curator of the exhibition that runs from September 24 until December 1, and the author of several books on the subject, describes quilt making as "the true, great American folk art."

Many of the patterned quilts seem to anticipate Pop Art's fascination with geometric shapes, lines and repetition -- in some cases over half a century earlier.

Log Cabin, variation; Barn Raising, 1880-1890, by Anna Lay Park is an array of multicolored concentric cubes in a combination of different fabrics.

"They are really mind-boggling -- eye dazzlers comes to mind," Atkins said in an interview. "Looking at them if you didn't know when they were made you could say this is Pop Art."

But rather than compare the works to later developments of which the artists could have had no knowledge, Atkins likes to say that these women created their own distinct style and visual language.

"It was the women that started a whole art revolution on their own in fabric that only was found within the broader mainstream culture much later on," she explained.

The tradition, which reached its apogee in the 19th and 20th centuries, still has many millions of practitioners around the world.

Atkins said the quilts are highly collectible and the best examples have sold for close to $100,000 at auction.

As well as the stunning visual aspect of many of the quilts, Atkins said the careful observer can discern the threads of rich and multifaceted stories in the fabric.

"The patterns change and evolve and morph into different things over time," said Atkins. "Part of this is the cultures that are making the quilt."

The popular star pattern originated in England but exploded across cultures in the United States and took on perhaps its most lively expression in the African-American tradition.

"You don't get the classic star formation," she said. "You get a design called broken stars, or star puzzles, where you get different pieces of stars arranged in idiosyncratic patterns that are quite fascinating, so what's happening here is a cultural change."

The quilt show runs almost concurrently with another exhibition at the museum, "Inspired Traditions: Selections from the Jane Katcher Collection."

It includes portraits, sculptures, weather vanes, paintings and furniture from the collection of Katcher, a retired radiologist and a folk art collector for more than 30 years.

"When I look at these pieces individually they are each among the very best of their kind and some are unquestionable the best of their kind," said the Fenimore's curator Paul D'Ambrosio, who has studied American folk art for 30 years.

D'Ambrosio prizes both exhibits, which come largely from New England, New York and Pennsylvania, for their connections to and insights into American history.

(Reporting by Edward Krudy; editing by Patricia Reaney)


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Dress down Friday gets a makeover

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By Pamela Eyring

WASHINGTON | Mon Sep 19, 2011 6:21am EDT

WASHINGTON (Reuters) - One of the most interesting things to emerge during Fashion Week February 2011 in New York was Bill Cunningham, world-renowned fashionista and photographer of The New York Times, proclaiming: "Dress Down Friday is Dead."

Yes, business attire is back!

Button-down oxford shirts, pencil skirts, and sheath dresses for women and tailored jackets for men (and women) are all the rage this fall.

Then there's Banana Republic's MadMen Collection made popular by the Emmy-winning TV show about (New York's) Madison Ave in the 1960s. With Banana Republic's just-launched collection, you don't need a six-figure salary to sport polished suits or shirt-waist dresses and heels.

Of course, as every savvy professional knows, looking smart at work never went out of style.

Whether you're in the boardroom or standing around the water cooler, how you dress influences how people perceive you. Even on casual Friday, flip flops send a message just as loud as a tailored shirt and well-shined shoes, but the content of the message couldn't be more different.

As someone who works with professionals in all industries, in the U.S. and abroad, it's clear that the new/old look will benefit professionals on every level.

However ,there are a few "must dos and don'ts," along with one caveat: A fashion-forward look worn in downtown New York won't play well in a more conservative environment in the Mid-west, so take your cue from your VP or direct report.

Gentlemen To-do List:

* Go for a clean, pressed and polished look.

* Wear an undershirt to hide perspiration and chest hairs.

* Wear a straight collar of medium length.

* Suit sleeves should allow for a inch of the shirt cuff to be visible.

* The tip of the tie should sit just above the belt buckle.

* Stick to striped, solid, and small-patterned ties.

* Don't wear socks that have holes in them or ones that have worn thin.

* Shoes must be polished before each use.

* Shoes and belt should match.

* Stock your closet with a basic navy wool blazer, at least one (versatile) blue dress shirt, and a black leather oxford with 3-6 eyelets.

* Tailor suits in arm and trouser length when needed.

Ladies To-do List:

* Avoid ill-fitting (too small/too big) clothing.

* Stick to classics like a two-piece suit or dress in a neutral color (black, gray, navy, beige) or long-lined trouser suit that doesn't bunch or stretch.

* Add character to suits with a well-selected, well-fitting dress shirt in classic white or a color that complements your complexion. Avoid shirts that reveal cleavage.

* The sleeve length should hit the base of the wrist.

* Select skirt lengths with care. There are three standard lengths: knee length for serious business; an inch above the knee for a professional yet relaxed look, and ankle length to be avoided at all cost.

* Shoes should be powerful yet feminine. A classic mid-height black pump can be dressed up or dressed down. Enjoy a peep-toe in a less conservative work environment.

* Hosiery is optional in warm weather or a casual work environment.

* Acceptable hosiery colors include opaque black, sheer black and nude.

* Hosiery can be lighter than your shoe, but not darker.

* Keep jewelry simple and tasteful, not trendy. A chunky or multi-strand pearl necklace is a must.

* Handbags should be classic, structured in shape and of good quality material.

(Edited by Paul Casciato)


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Twenty-two Americans get $500,000 "genius grants"

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CHICAGO | Tue Sep 20, 2011 1:01am EDT

CHICAGO (Reuters) - Twenty-two Americans ranging from a radio journalist to a sports trainer received no-strings-attached "genius" grants worth $500,000 each, a charitable foundation announced on Tuesday.

Since the program was begun in 1981, the John D. and Catherine T. MacArthur Foundation has provided grants to 850 "fellows," with the aim of providing scientists, scholars, artists, activists and others the means and freedom to pursue their creativity wherever it leads.

Anonymous nominators and selection committees decide who gets the grants, and recipients usually do not know they are even being considered, the foundation said. The grant is made over a five-year period.

"This has been a year of great change and extraordinary challenge, and we are once again reminded of the potential individuals have to make a difference in the world and shape our future," said foundation president Robert Gallucci.

Among the 22 winners, who ranged in age from a 29-year-old Seattle computer scientist to a 67-year-old silversmith, were:

* Jad Abumrad, 38, a musically-trained producer of "Radiolab" on WNYC radio in New York, who takes on a "big idea" for each program, using interviews, music and storytelling to bring the subject to life for listeners. The program often has a scientific bent. One past episode examined "What is Time?"

* Kevin Guskiewicz, 45, a sports trainer at the University of North Carolina, Chapel Hill, who has advanced the diagnosis, treatment and prevention of sports-related concussions. He helped recognize the impact of multiple concussions on professional football players, created a widely used on-field exam for head injuries and works with players in contact sports to change their approach to tackling and hitting.

* Poets Kay Ryan, 65, of Fairfax, California, and A.E. Stallings, 43, who lives in Athens, Greece.

* Historians Jacob Soll, 42, of Rutgers University in Camden, New Jersey, and Tiya Miles, 41, of the University of Michigan, Ann Arbor. Soll studies the origins of the modern state, and Miles the relationship between African and Cherokee peoples in colonial America.

* 29-year-old cellist Alisa Weilerstein, and Dafnis Prieto, a 37-year-old jazz percussionist, both from New York. Choral conductor Francisco Nunez, 46, who works with disadvantaged students in New York.

* Civil rights lawyer Marie-Therese Connolly, 54, of Washington, D.C., who combats elder abuse with a blend of legal, policy and legislative techniques.

* Architect Jeanne Gang, 47, who heads her own Chicago shop, Studio Gang, and is among the few women architects to design skyscrapers.

* Journalist Peter Hessler, 42, who has written extensively about reforms in China.

* Shwetak Patel, 29, a computer scientist at the University of Washington, Seattle, who has invented low-cost sensor systems for households to monitor energy usage.

* Silversmith Ubaldo Vitali, 67, of Maplewood, New Jersey, who restores silver pieces as well as creating his own original works of art.

Descriptions of the winners' work, along with brief videotaped interviews, is available on the "MacArthur Fellows" tab on the foundation's web site (www.macfound.org)

(Reporting by Andrew Stern; Editing by Cynthia Osterman)


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joi, 22 septembrie 2011

Management Tip of the Day: The paradox of excellence

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BOSTON | Mon Sep 19, 2011 8:19am EDT

BOSTON (Reuters) - Many smart, ambitious professions are less productive and satisfied than they should be, but there are ways to avoid the high-achiever curse, says Harvard Business Review.

The Management Tip of the Day offers quick, practical management tips and ideas from Harvard Business Review and HBR.org (http:\\www.hbr.org). Any opinions expressed are not endorsed by Reuters.

"Being a high-achiever can be rewarding, but many smart, ambitious professionals are still less satisfied than they should be. This is because many of the behaviors that help you succeed can also get in your way.

Watch out for these two-sided traits:

1. Driven to get results. High-achievers can get so caught up in tasks that they fail to provide transparency to colleagues or help others. Don't forget to collaborate or you'll feel alone.

2. Craving positive feedback. High-achievers care intensely about others' opinions and tend to obsess over criticism, even when it's included with positive feedback. Don't let one constructive piece of input overshadow everything you hear.

3. Guilt-ridden. Guilt often motivates achievers to produce, but no matter how much they accomplish they still feel like they aren't doing enough. Set realistic goals and take satisfaction in achieving them."

- Today's management tip was adapted from "Managing Yourself: The Paradox of Excellence" by Thomas J. DeLong and Sara DeLong.

(For the full post and to join the discussion, see: here)


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luni, 19 septembrie 2011

Lakers star Ron Artest becomes Metta World Peace

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Los Angeles Lakers forward Ron Artest reacts in the first half against the Phoenix Suns during Game 6 of the NBA Western Conference finals in Phoenix, Arizona May 29, 2010. REUTERS/Lucy Nicholson

Los Angeles Lakers forward Ron Artest reacts in the first half against the Phoenix Suns during Game 6 of the NBA Western Conference finals in Phoenix, Arizona May 29, 2010.

Credit: Reuters/Lucy Nicholson

By Dan Whitcomb

LOS ANGELES | Fri Sep 16, 2011 4:13pm EDT

LOS ANGELES (Reuters) - The Los Angeles Lakers star formerly known as Ron Artest officially became Metta World Peace on Friday when a Los Angeles Superior Court Commissioner approved the name change.

World Peace, who will spend his off-season competing on ABC's "Dancing With the Stars," was granted the change just in time for the show's season premiere on Monday night after clearing up lingering traffic ticket warrants.

"Changing my name was meant to inspire and bring youth together all around the world. After this short delay, my tickets have been paid and I'm glad that it's now official," World Peace said in a written statement.

World Peace was not in court for the hearing, but was represented by an attorney.

A publicist for World Peace, Courtney Barnes, said the name change would require the Lakers defender to obtain a new driver's license, passport and other official documents but would not affect his contract with the team.

The former Ronald William Artest, 31, will sport the new name on the back of his Lakers jersey starting next season.

"World Peace has contemplated the name change for years and always knew that he wanted his last name to be World Peace but it took many years of research and soul-searching to find a first name that was both personally meaningful and inspirational," Barnes said. "Metta World Peace felt just right."

World Peace is considered one of the NBA's premiere defenders and was named Defensive Player of the Year for the 2003-2004 season.

In November of 2004 he was given a lengthy suspension after taking part in a brawl between fans and players during a game against the Detroit Pistons.

He joined the Lakers in 2009 and helped lead the franchise to a championship.

World Peace will be paired with dance professional Peta Murgatroyd on this season's "Dancing With the Stars," competing alongside a cast that includes actor David Arquette, transgender activist Chaz Bono, journalist Nancy Grace and reality TV star Kristin Cavallari.


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Glamour and glitz prevail on London catwalks

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A model presents a creation from the Issa 2012 Spring/Summer collection during London Fashion Week September 17, 2011. REUTERS/Suzanne Plunkett

1 of 5. A model presents a creation from the Issa 2012 Spring/Summer collection during London Fashion Week September 17, 2011.

Credit: Reuters/Suzanne Plunkett

By Marie-Louise Gumuchian

LONDON | Sun Sep 18, 2011 9:54am EDT

LONDON (Reuters) - With inspiration ranging from the yachts of the super rich to tropical beach colours, designers at London Fashion Week are seeking to ride out the tough economic times with creations that stand out and sparkle.

An array of colours and bold prints have prevailed on the catwalk since London Fashion Week began on Friday. Fashion theory may state that when times get tough hemlines drop but several names showcasing their designs for spring/summer 2012 have kept skirts short and dresses tightly fitted.

Designer Julien Macdonald said he was taking his clients on a journey from the yachts of Saint Tropez and Monte Carlo to China and Japan, with a collection filled with Asian print designs and embellished evening and cocktail dresses.

With their hair tightly gelled back, models wore white tuxedo jackets, metallic belts and waistcoat dresses, accessorized with Porsche-designed sunglasses and military caps.

"The collection is exclusive, it's very expensive. Only the richest people in the world can afford to buy it," he said.

Macdonald, known for luxury designs which usually sell for hundreds of dollars, often hosts more than 400 people at his shows but this year picked a smaller, more intimate setting.

"I just invited the best. I said no to 550 very upset people," he said. "The recession affects every designer. People just want special things ... If you've spent the money on the clothes, you want to look a billion dollars."

At London Fashion Week, which runs until September 21, dozens of British and international designers are showing their lines, eager to entice cash-strapped buyers with their collections.

RIO IN LONDON

At Issa London, tropical colours, flirty dresses and luxurious katfans set the catwalk alight, as Brazilian designer Daniela Helayel brought Rio de Janeiro's Ipanema beach to the British capital. One model ended the show dressed as a samba dancer with an embellished corset and crown of feathers.

The brand was thrust into the spotlight when Kate Middleton wore a blue Issa dress to announce her engagement to Britain's Prince William last year. The dress sold out within 24 hours.

"If you have a good dress, you know a dress that makes you feel good, it's the only thing that lifts up your mood; so good dresses will always be in demand," Helayel told Reuters.

On Sunday, Mulberry, known for its expensive handbags, hit the beach for next summer with a seaside and pier rides inspired palette of colours and animal prints collection presented among giant ice cream cones and hundreds of animal balloons.

Inspired by the British summer, creative director Emma Hill sent out models in waterproof macs over beach dresses with drawstring waists or brightly colored encrusted gemstones.

Dogs were also in mind with specially designed shiny macs, modeled by one pooch on the catwalk.

"The season's signature prints are bright enough to banish grey skies!" Mulberry said in a release.

Celebrities have also been adding to the glamorous touch with model Kate Moss and actress Kristen Stewart on the front row at Mulberry, and actress Pamela Anderson and artist Tracey Emin at Vivienne Westwood's Red Label show.

Red Label is Westwood's more affordable line, and she showed cardigans worn as belted dresses, oversized shirts, tailored suits, holographic cocktail dresses and a show-stopping red gown. Big hair and bold makeup added the final touches.

"What we're doing is just making women look great because we're offering them so much choice, they really can choose what suits them," Westwood told Reuters backstage after the show, as champagne corks popped at a makeshift bar behind her.

"It's always sexy, fashion is here to help, that's what we're here to do. It's a life enhancing experience."

(Additional reporting by Basmah Fahim; Editing by Sophie Hares)


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China suspends popular talent show for "exceeding time limits"

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BEIJING | Mon Sep 19, 2011 2:04am EDT

BEIJING (Reuters) - China has ordered a popular television talent show off the air for a year after it exceeded broadcasting time limits, replacing it with programs that "promote moral ethics" such as public safety and housework tips, state media said on Monday.

Episodes of talent show Super Girl, akin to American Idol or the X Factor, were supposed only to run for a maximum of 90 minutes, according to rules set in 2007, but sometimes exceeded the limit, the China Daily reported.

Hunan Satellite Television, which produces Super Girl, has agreed to follow the broadcast regulator's ruling to remove the show and replace it with public service programing, the newspaper quoted deputy editor-in-chief Li Hao as saying.

"Instead, the channel will air programs that promote moral ethics and public safety and provide practical information for house work," Li said.

"I believe the reason that forced the administration to 'regulate' this program is that some television hosts in the program made inappropriate comments and some did not dress properly," Jin Yong of China Communication University, told the paper.

"The style might have offended some older viewers."

China routinely censors anything it considers politically sensitive or offensive, from songs to films, in contrast to the stirring patriotism fare it promotes on mainstream stations, though widespread piracy means bans are often easy to skirt via bootlegged DVDs or on the Internet.

Super Boy, another singing contest, was ordered in 2007 to show only "healthy and ethically inspiring songs", avoid "gossip" and not show "bad taste" scenes of screaming fans or tearful losing contestants, the China Daily said.

In a statement on its website (www.sarft.gov.cn), the regulator said it had also suspended a television station in northern China for showing programs which showed disrespect toward an elderly parent and magnified family conflict.

(Reporting by Sabrina Mao and Ben Blanchard)


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Beijing, Tokyo turn to pop diplomacy to improve ties

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BEIJING | Fri Sep 16, 2011 1:48am EDT

BEIJING (Reuters) - First it was ping pong, then it was pandas. Now Tokyo and Beijing are turning to pop group diplomacy in an effort to soothe often tense ties.

Despite the plethora of political problems between the two countries, China has warmly welcomed Japanese pop group SMAP ahead of a concert in Beijing on Friday, whose theme is "Do Your Best Japan, Thank You China, Asia is One" in gratitude for Chinese help after Japan's March tsunami disaster.

"We would be happy if the concert could be an advanced celebration of the 40th anniversary of Japan-China friendship," group member Takuya Kimura told reporters in Beijing's Great Hall of the People, according to state media. China and Japan mark four decades of diplomatic ties next year.

Former Chinese State Councilor Tang Jiaxuan gave the group greetings from Premier Wen Jiabao, who met them during his visit to Tokyo earlier in the year.

Wen invited SMAP -- formed as a boy band two decades ago whose members are ubiquitous in movies, TV shows and commercials -- to China in May.

Scheduled concerts in Shanghai last year were canceled after tensions flared following Japan's detention of a Chinese trawler and its crew in disputed waters northeast of Taiwan.

"(We) hold a supportive and positive attitude toward these kind of communications and exchanges," Chinese Foreign Ministry spokeswomen Jiang Yu said of the concert. "We hope this will help improve national sentiment between China and Japan."

SMAP will perform three songs in Chinese, along with their other hits, in front of 40,000 fans at the Workers' Stadium, close to Beijing's fashionable Sanlitun bar and shopping district.

While Japanese pop stars are not nearly as popular in China as they are in Hong Kong and Taiwan, some of the most famous singers in the Chinese-speaking world have had big hits with Mandarin covers of Japanese songs.

SMAP's Beijing appearance has been keenly anticipated on China's Twitter-style microblogging sites.

"I hope that in future we can welcome even more Japanese artists to China," wrote Japan Little Smart on Sina Weibo.

(Reporting by Sabrina Mao and Ben Blanchard; Editing by Daniel Magnowski)


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Colors, historical clashes in new London art show

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By Mike Collett-White

LONDON | Fri Sep 16, 2011 11:56am EDT

LONDON (Reuters) - In the second in a series of exhibitions showcasing works from Britain's huge Government Art Collection, artist Cornelia Parker has chosen a rainbow color scheme to present her favorites.

Parker selected over 70 works from the collection of around 13,500 pieces which grace the walls and corridors of embassies, official residences and other state buildings around the world.

It is believed to be the world's biggest collection of British art after the Tate gallery.

The show, free of charge and entitled "Richard Of York Gave Battle In Vain," opens at the Whitechapel Gallery in east London on Friday and ends on December 4.

It is named after the mnemonic used to recall the key colours of the spectrum -- red, orange, yellow, green, blue, indigo and violet.

The one-room exhibition follows the color pattern, beginning with predominantly red paintings and works of art and running through the colours before fading to black and then white.

For Parker, the fact that all of the works came from a government-owned collection meant they were in a way political, a point underlined by the choice of colours -- many of which represent political parties.

"There is a sense that all these works of art have quietly eavesdropped on many an important conversation over the years," she said.

And so Nils Norman's 2006 red, bloody silhouetted head in "Imaginary Portrait of our Lord Protector Gentrificator General" was hanging in the British Embassy in Tbilisi.

Daniel Myten's portrait of Lady Anne Montagu dated 1626 came from the ambassador's residence in Ireland while Parker's own "Feather from Freud's Pillow" was a favorite of former Prime Minister Gordon Brown when he was finance minister.

Parker plays images off against each other, deliberately placing a portrait of Queen Elizabeth I opposite one of Mary, Queen of Scots, the rival whose execution she ordered.

And in similar fashion, Oliver Cromwell hangs higher on the wall than King Charles I, whom he overthrow and had beheaded.

The current monarch Queen Elizabeth appears at least twice, in Andy Warhol's screenprint of 1985, which comes from the British Consul-General's residence in New York, and in a photograph of the queen being painted by Lucian Freud.

Alongside formal portraits from centuries past are a series of works by so-called "Young British Artists" who burst on to the scene around 20 years ago with images that shocked and provoked.

Gillian Wearing, Gary Hume and Jake & Dinos Chapman all feature in the show, which is the second in five planned exhibitions based on the Government Art Collection.

Parker said the shows gave people a chance to see works flung far across the globe, often out of sight of the public.

"None of these works get shown," she said. "Some haven't seen the light of day for a long time so it's a chance to do that and also for me to be playful."

The third exhibition in the series opens on December 16.

(Reporting by Mike Collett-White, editing by Paul Casciato)


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Futuristic pods whisk travelers around UK airport

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By Philip Brook

Fri Sep 16, 2011 12:38pm EDT

n">(Reuters) - Laser-guided travel pods that work without drivers or timetables were officially unveiled at London's Heathrow airport on Friday.

The system, which featured in an exhibition on the future of transport at London's Science Museum in 2009, has become a reality, reducing the time it takes business passengers to move from terminal to car park by 60 percent.

Traveling at speeds up to 40 km/hour (25 mph), after an average wait of just 34 seconds, the system looks like something straight from a science fiction film.

The pods, which run along tracks and allow passengers to select their destinations, use laser sensors to ferry business passengers and their luggage along a 3.8 km route.

According to ULTra, the company behind the technology, the 30 million pound ($47 million) development could transport up to 500,000 passengers each year and replace 50,000 shuttle bus journeys.

The British invention, which has been on trial at Heathrow since April, is the culmination of over 60 years of development. First dreamed up in the 1950s, it has now become a working reality under ULTra PRT president and former NASA engineer, Martin Lowson who championed the idea while lecturing at Bristol University in the 1990s.

The company, now part owned by Ferrovial's British airports division BAA, is confident that the technology will prove popular. India recently announced it will pilot the system around Delhi and Amritsar and feasibility studies are currently in progress in Raleigh, North Carolina in the United States. ($1 = 0.633 British Pounds)

(Edited by Paul Casciato)


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Kelly shines in new Boston MFA contemporary art wing

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A 1968 work from Ellsworth Kelly titled ''Blue Green Yellow Orange Red'' displayed as part of the Ellsworth Kelly: Wood Sculpture exhibition at Boston's Museum of Fine Arts is seen in this undated handout photo. REUTERS/Ellsworth Kelly courtesy of the Museum of Fine Arts/Handout

1 of 3. A 1968 work from Ellsworth Kelly titled ''Blue Green Yellow Orange Red'' displayed as part of the Ellsworth Kelly: Wood Sculpture exhibition at Boston's Museum of Fine Arts is seen in this undated handout photo.

Credit: Reuters/Ellsworth Kelly courtesy of the Museum of Fine Arts/Handout

By Ros Krasny

BOSTON | Fri Sep 16, 2011 4:48pm EDT

BOSTON (Reuters) - Boston's Museum of Fine Arts opens a large new contemporary art wing this weekend in what curators say reflects a more forward-looking tilt to the city's arts scene.

Anchoring the launch is the temporary exhibit, "Ellsworth Kelly: Wood Sculpture," surveying four decades of works by the famous American minimalist painter and sculptor.

The Linde Family Wing of Contemporary Art, which includes more than 21,000 square feet of gallery space, is housed in the MFA's 1981 I.M. Pei expansion.

More than 200 pieces from the permanent collection are on show, arranged in seven galleries that range from paintings to decorative arts to video and new media.

"Contemporary collectors in Boston have been fired up for a long time, and they've been waiting for this," said Al Miner, an assistant curator at the MFA.

Economic jitters notwithstanding, interest in buying contemporary art is "through the roof," Miner said.

Kelly, who attended a pre-opening event on Thursday, has been feted with retrospectives at New York's Guggenheim Museum and the San Francisco Museum of Modern Art, among others, and has worked with wood sporadically over a six-decade career.

Nineteen of his more than 30 sculptures in wood, made from 1958 to 1996, are on display in Boston.

Many of the spare, free-standing sculptures take on commanding totemic forms, up to 15 feet (4.5 meter) tall. Kelly has worked with woodcutter Peter Carlson since 1970, and the woods used range from humble oak to exotic African sapele to California redwood.

"The sculptures show the intersection of the natural and the man-made world, distilled to an absolute essence," said Edward Saywell, chair of the museum's contemporary art programs. "He just relishes the beauty of the wood."

Some of the sculptures feature subtle, almost sensuous curves that hint at male and female forms.

"I don't like circles. I think they are too finished. But a fragment of a circle is fantastic," Kelly said.

Kelly, 88, continues to work at his home and studio in Spencertown, New York.

"I wait for a message. They just happen. I'll think I've run out of ideas, but then I'll get a flash," he said.

The expansion ratchets up the rivalry between the MFA and the Institute of Contemporary Art, located on Boston's harbor front, which has showcased modern works for decades.

The new wing at the MFA is grafted onto a massive art assemblage that ranges from prehistoric tombs to Pablo Picasso, something Miner said adds context to the modern collections.

"This town can easily handle two excellent collections of contemporary art."

One of Kelly's paintings, 1968's "Blue Green Yellow Orange Red," is part of the MFA's contemporary collection.

Another highlight is Maurizio Nannucci's 1999 neon anthem, "All Art Has Been Contemporary."

Kelly, who listed Picasso and Henri Matisse among his influences, embodied that spirit as he walked among his sculptures.

"I am nourished by the past, I am questioning the present, and I am stepping into the future," he said.

(Reporting by Ros Krasny; editing by Patricia Reaney)


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Travel Postcard: 48 hours in Paris

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An aerial view of the Eiffel Tower in Paris on Bastille Day July 14, 2011. REUTERS/Charles Platiau

An aerial view of the Eiffel Tower in Paris on Bastille Day July 14, 2011.

Credit: Reuters/Charles Platiau

By Alexandria Sage

PARIS | Fri Sep 16, 2011 6:24am EDT

PARIS (Reuters) - The city of glamour, grande cuisine and the ghosts of the guillotined is one of Europe's most beautiful. Welcoming some 28 million visitors a year, Paris offers everything from some of the most famous museums and restaurants in the world to charming cobblestone alleys and boutiques galore.

Reuters correspondents with local knowledge help visitors get the most out of a visit to the French capital. While 48 hours is not nearly enough for this beloved metropolis, it will whet your appetite for your next visit.

FRIDAY

5 p.m. Why not kick off the weekend with a "verre," or glass of wine, as the French do, or perhaps a licorice-flavored pastis aperitif. Paris cafes are the pride of the city, and the most famous are located on the Left Bank. After popping in to the Eglise de Saint-Germain-des-Pres, an ancient abbey with sixth-century roots, enjoy a "pause" at Les Deux Magots or Cafe de Flore. Between the two world wars and immediately after, both cafes welcomed writers, poets and artists from Pablo Picasso and Ernest Hemingway to Albert Camus and Simone de Beauvoir.

8 p.m. Keeping with the literary theme, make your way south to Montparnasse, the neighborhood where intellectuals and artists flocked at the beginning of the 20th century. Splurge at Le Dome, an Art Deco institution featuring platters piled high with oysters and other fresh seafood. And remember the champagne -- after all, it's your first night in Paris.

10 p.m. You're close enough to stroll to the Montparnasse Tower for a spectacular view across the City of Light. The 689-foot office tower, completed in 1973, wins no prizes for beauty -- until you get to viewing area at the top from where, as Parisians like to note, you can no longer see it.

SATURDAY

9 a.m. Hop onto one of Paris' 20,000 Velib city bikes, rentable for a modest fee from docking stations all over the city, and head to Ile de la Cite for a first look at Notre Dame before the crowds descend. Count the saints carved out along the cathedral's facade and notice the gargoyles peering menacingly from the towers of the French Gothic masterpiece.

Nearby are Sainte Chapelle with its unforgettable stained glass windows and La Conciergerie, the former prison where Marie Antoinette spent her last months before meeting her grisly end at the guillotine in 1793.

11:30 a.m. Cross to the right bank via Ile Saint-Louis -- a picturesque island in the Seine where Paris' best ice cream, Berthillon, is sold -- and you find yourself in the Marais. Once swampland, the Marais became the fashionable place to live in the 17th century before falling into disrepair. In the 19th century it was the Jewish quarter and a tasty falafel with grilled eggplant can still be had along the Rue de Rosiers. The Marais is known today for its gay and lesbian nightlife and is home also to trendy boutiques, small art galleries, cafes and museums, including the Picasso Museum and the Musee Carnavalet, which documents the history of Paris.

Enjoy lunch at one of the many cafes in the neighborhood, but don't forget to enjoy a stroll through the Place des Vosges, Paris' oldest plaza, with its stunning brick and stone arched pavilions and luxury residences. Victor Hugo was a resident in the 19th century -- and Dominique Strauss-Kahn is one today.

3 p.m. A quick metro ride from St. Paul station will take you to the Palais Royal across from the Louvre, whose rectangular garden will revive the senses before you tackle France's largest museum and the world's most visited. When it comes to the Louvre, the best strategy is to pick a wing or two -- don't try to do it all. "Courage!," as the French say.

7 a.m. It's time to sit down and enjoy a show. Indeed it's a bit touristy these days, but still -- Le Moulin Rouge cabaret and its showgirls have been entertaining Paris since 1889. A revue and meal doesn't come cheap, but how often these days can you watch a can-can during dinner? Make your way to the base of Montmartre for the show and afterwards enjoy a stroll around the (quite safe) red-light district. Prefer men in wigs instead? Try Cabaret Michou for a drag show.

SUNDAY

9 a.m. It's time to see Paris' best-known landmark at first light. Whether you brave the queues and climb the tower -- by stairs or lift -- or just admire it from the ground, the Eiffel Tower cannot be missed. Across the Seine at Trocadero, an assortment of cafes provide first-rate views.

11 a.m. On the banks of the Seine, hop on a Bateau Mouche for a one-hour cruise along the river, passing such sights as Les Invalides, where Napoleon is buried, the Grand and Petit Palais -- both constructed for the Universal Expo in 1900 -- and the Pont Neuf, Paris' oldest bridge.

1 p.m. Head north from Trocadero to reach the Arc de Triomphe, under whose famous arch have marched scores of victorious armies, including in 1944 when French and American troops were greeted by cheering Parisians. Pay your respects at the Tomb of the Unknown Soldier, then walk east down the Champs Elysees, a celebrated tree-lined boulevard dominated today by clothing chain stores and tourists. The approach to Place de la Concorde is worth the crowds however. Admire the Luxor Obelisk honoring Pharaoh Ramses II at the center of the plaza, and ignore the traffic as you try to imagine what the square was like at the height of the French Revolution, when the guillotine erected here chopped off hundreds of heads.

3 p.m. All that contemplation of mortality calls for a visit to Pere Lachaise, Paris' biggest and most famous cemetery on the eastern side of the city. Visit the graves of scores of poets, artists, politicians and more, from Moliere and Edith Piaf to Oscar Wilde, Gertrude Stein and the Doors' Jim Morrison.

Bid adieu to your Paris weekend with a final verre at one of the many cafes around Place Gambetta and plan your next trip.

(Editing by Paul Casciato)


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Travel Picks: Top 10 toilets around the world

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People wrap each other in toilet paper as they take part in the Mp3 Experiment in New York's Bryant Park October 2, 2010. REUTERS/Jessica Rinaldi

People wrap each other in toilet paper as they take part in the Mp3 Experiment in New York's Bryant Park October 2, 2010.

Credit: Reuters/Jessica Rinaldi

LONDON | Fri Sep 16, 2011 1:37pm EDT

LONDON (Reuters) - Whether you call them a restroom, loo, lavatory, toilet, or "the facilities," they are always an important part of being on the go. With this in mind the members and editors of travel website VirtualTourist.com (www.virtualtourist.com) have compiled this list of the "World's Top 10 Toilets." Reuters has not endorsed this list:

1. Bryant Park; New York City, NY

Who would have thought that a loo in the middle of such a dirty, noisy, frenetic city would have classical music, fresh flowers, and even an attendant! Visitors report that it's also spotlessly clean.

2. Covent Garden; London, U.K.

If visitors to the public restrooms at Covent Garden don't notice the cleanliness and efficiency of this facility on their own there's a prominent sign on the wall informing them of the place's 2011 "Loo of the Year" award.

3. Madonna Inn; San Luis Obispo, CA

It only makes sense that one of the world's quirkiest hotels would have one of the world's quirkiest restrooms; a waterfall urinal that comes to life when used. We can only imagine the surprise of the uninformed.

4. Thornbury Castle; South Gloucestershire, U.K.

Not only can you walk in the footsteps of Henry VIII and Anne Boleyn, but you can spend your first few minutes trying to find the hidden bathroom. In an effort to keep the secret we refuse to give away where it actually is.

5. Place de la Madeleine Public Toilets; Paris, France

Even a century of grime can't mar the beauty of the remarkable Art Nouveau facilities at the Place de la Madeleine. Dating back to 1905, this stunner of a lavatory is as worth checking out as any of the city's other more -- pardon the pun -- mainstream attractions.

6. Scholastica Baths; Ephesus, Turkey

The public toilets here not only provide a glimpse into la vie quotidienne of ancient peoples but also a highly unusual photo op as modern day visitors are welcome to take a seat on the no-longer functional commodes.

7. The Outhouses of Elk Falls; Elk Falls, Kansas

An annual contest taking place every November, this competition and tour features outhouses that run the gamut from greenhouse-like rooms to mini-movie theaters. A high-stakes operation, organizers offer a first prize of $60.

8. Opera Toilet; Vienna, Austria

Complete with operatic music, murals of the interior of the city's opera house-proper, show posters, and even stalls referred to as "loges," the Opera toilets are the next best thing to being there.

9. UFO Restaurant; Bratislava, Slovakia

Rest assured that although these urinals face large windows, there is just enough frosted glass to keep the view appropriate to the outside world.

10. Hundertwasser Toilets; Vienna, Austria

Dubbed the "Toilet of Modern Art" this is the second restroom in Vienna to make our list. Its randomly shaped tiles in bold primary colors make this playful room a fun alternative to the average dreary public toilet.

(Edited by Paul Casciato)


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Pope to pray with Protestants but sees no breakthrough

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Pope Benedict XVI leads the Sunday angelus prayer from the balcony of his summer residence in Castelgandolfo in southern Rome September 18, 2011. REUTERS/Tony Gentile

Pope Benedict XVI leads the Sunday angelus prayer from the balcony of his summer residence in Castelgandolfo in southern Rome September 18, 2011.

Credit: Reuters/Tony Gentile

BERLIN | Sun Sep 18, 2011 2:19pm EDT

BERLIN (Reuters) - Pope Benedict said on Sunday he would pray with German Protestants during a visit this week to the cradle of the European Reformation, but played down expectations of a breakthrough in ecumenical ties.

The pope's September 22-25 visit to Germany, his native country, has prompted some Protestants to call for more ecumenical measures like joint communions and Catholic recognition of Protestant churches. Liberal Catholics were also hoping to hear talk of reforms such as more tolerance of divorced Catholics.

Benedict will visit Erfurt, one-time home of Martin Luther, whose reform movement split Western Europe's Christians into Protestants and Catholics 600 years ago.

"In the Augustinian monastery and church where Luther began his path, I will have the opportunity to meet representatives of Germany's Protestant Church," Benedict said in a message televised by German broadcaster ARD.

"We will pray together, listen to the word of God, think together and discuss," he said. But he added: "We do not expect any sensations."

German Chancellor Angela Merkel, the daughter of a Lutheran pastor who grew up in the former communist, officially atheist East Germany, said Christian unity would be a focus of the pope's visit.

The Pope will encounter indifference and protest in eastern Germany but will also visit the staunchly Catholic Freiburg.

(Reporting by Alexandra Hudson)


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marți, 13 septembrie 2011

NY Fashion Week cancels show by Uzbek leader's daughter

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Uzbek President Islam Karimov speaks at a news briefing after the Shanghai Cooperation Organisation (SCO) summit in Tashkent June 11, 2010. REUTERS/Shamil Zhumatov

Uzbek President Islam Karimov speaks at a news briefing after the Shanghai Cooperation Organisation (SCO) summit in Tashkent June 11, 2010.

Credit: Reuters/Shamil Zhumatov

NEW YORK | Sun Sep 11, 2011 3:07pm EDT

NEW YORK (Reuters) - The organizers of New York Fashion Week have canceled a planned show by the designer daughter of Uzbekistan's leader Islam Karimov, who has been accused of human rights abuses.

Gulnara Karimova was due to present her Guli spring/summer 2012 collection on September 15 at New York Fashion Week. Karimova showed her collection at the event in September last year, but her family connections only hit the headlines this week.

Her 73-year-old father has ruled the Central Asian nation of 28 million since 1989. Human rights groups accuse the tough former Communist boss, who enjoys vast powers and brooks no dissent, of violating basic freedoms and blocking democracy.

"As a result of various concerns raised we have canceled the Guli show," a spokesman for IMG, which organizes New York Fashion Week, said in a statement.

Harvard-educated Karimova, 39, who is also Uzbekistan's ambassador to Spain and to the United Nations in Geneva, was not immediately available for comment.

A September 8 statement promoting the Guli show said it would "feature thirty looks in natural silk, organic cotton, leather embellishments, rare Uzbek fabrics such as shoi, and intricate ikat prints -- all updated with contemporary shapes and cuts."

Almost 100 designers are showing their collections for spring/summer 2012 at New York Fashion Week, which started on Thursday, and dozens more are showing at other venues around the city to coincide with the semi-annual event.

Human Rights Watch said it was glad New York Fashion Week would "no longer showcase a designer who represents such a repressive government."

"The message is clear that abusers will not be allowed to launder their image at the expense of human rights," said Steve Swerdlow, Uzbekistan researcher for Human Rights Watch. "Companies need to act to ensure they don't unwittingly end up supporting abusers again."

(Reporting by Michelle Nichols; editing by Mohammad Zargham)


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Audience stars in Britain's Last Night of Proms

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By Michael Roddy

LONDON | Sat Sep 10, 2011 11:51pm EDT

LONDON (Reuters) - Chinese piano superstar Lang Lang wowed them, Wagnerian soprano Susan Bullock got a laugh as a "British Brunnhilde," but the stars of the Last Night of the BBC Proms were standing in the middle of the Royal Albert Hall.

The 700 or so "Prommers" who pay 5 pounds ($8) each for standing room in the cavernous, sold-out 5,000-seat oval hall on Saturday night gave almost as good a show as they got from the soloists, the BBC Symphony Orchestra conducted by Edward Gardner and the 140-strong BBC Symphony Chorus.

Sporting everything from British Union Jack vests to horned Viking helmets, and armed with a formidable array of noisemakers, flags and spluttering balloons launched in a valiant but vain attempt to reach to the hall's vertiginous ceiling, the Prommers kept up their side of the bargain for a high-spirited celebration of the end of the Proms season.

They cheered the stagehands and the musicians tuning up, and generally set the tone for an event on the musical calendar as important for some as the Wagner festival in Bayreuth or Vienna's New Year's Concert.

Nor is it just for natives or anglophiles.

Anne Bucht said she'd flown to London on short notice, and at considerable expense, from her home in Malmo, Sweden, after her daughter Amelie, married to an Englishman, called to say she'd got two tickets at the last minute.

"I waited for it for 20 years," said Bucht, who usually watches the concert on Swedish television to revel in "the joy of everyone," and because Sweden has nothing like it.

Gardner, whose podium was mischievously bedecked with coloured streamers and big, white "L" signs that learner drivers display on their cars, paid special tribute to the Prommers, some of whom queued for as long as 10 hours to buy a ticket entitling them to stand for a concert lasting at least three hours more.

"It's you, the Proms audience, that needs to have the biggest accolade. With your vociferous, passionate, sometimes unruly support you really guarantee that the Proms remain a cornerstone of our cultural identity in this country," he said to an outburst of cheering, applause and blaring noisemakers.

SEA OF UNION JACKS

The final Proms concert traditionally includes a large dollop of Britannica, including rousing audience singalong versions of Elgar's "Land of Hope and Glory," the stirring "Jerusalem" by Hubert Parry, not to mention "Rule, Britannia!" and "God Save the Queen" to end the formal programme.

Although it is a blatant celebration of Britishness, at least one Irish, one French and one American flag joined the sea of waving Union Jacks.

The first half of the concert was devoted to a heady international mix, including a new concert overture written by Sir Peter Maxwell Davies, Bartok's "Miraculous Mandarin" suite, Bullock singing Brunnhilde's immolation scene from Wagner's "Gotterdammerung" and, in recognition of the composer's 200th birth year, Liszt's Piano Concerto No. 1.

Soloist Lang Lang, whose latest CD is called "Liszt - My Piano Hero," put all his stunning technique, plus the dramatic body language for which he is famous, into a performance that Liszt, who practically invented the concept of showman, probably would have applauded.

But it was Bullock, the daughter of a policeman who hauled home a junked piano that spurred his daughter into a career in music, who brought down the house in her show-stopping, and previously secret, "British Brunnhilde" outfit featuring a red-white-and-blue winged helmet, a huge red rose on a white shield and a spear that shot off a shower of confetti.

"There's so much depressing stuff going on around us all the time that I think on one Saturday night in the year people should come together and have a good old singsong and join hands and have fun and just celebrate for a change," she told Reuters in an interview the day before the concert, which was her first appearance at the Last Night of the Proms.

(Writing by Michael Roddy; Editing by Jonathan Thatcher)


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After Fukushima, mother fights to get her life back

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By Antoni Slodkowski

FUKUSHIMA PREFECTURE, Japan | Sun Sep 11, 2011 9:40pm EDT

FUKUSHIMA PREFECTURE, Japan (Reuters) - Even before the March 11 earthquake and tsunami struck knocking out the Fukushima nuclear plant, Aya's life was a struggle.

She had divorced her abusive husband and was left on her own to care and provide for her two daughters.

Now, six months after she fled her home just 9 km (6 miles) away from the radiation-spewing plant, the 26-year old single mother is barely surviving. She has no job, languishes in hiding from her violent ex-husband in temporary housing and will probably never see her home again.

"It feels like a hole has opened inside me. My home was so important to me and I felt safe there," said Aya who would not give her family name or disclose her exact location out of fear her ex-husband could find her.

"It's like time has just stopped. Ever since March 11, the time has stopped for me."

The tsunami left 20,000 dead or missing, set off the world's worst nuclear disaster since Chernobyl a quarter of a century ago and forced 80,000 to evacuate.

It hit particularly hard those who were already down on their luck. There were reports of lone deaths in temporary housing and suicide rates jumped in the quake-battered regions.

After the disaster Aya was evacuated to a nearby gymnasium, but could not stay there as Noa - her younger four-year-old daughter - cannot walk because of a split spine and needs special care. The older, six-year-old Kurea has no disabilities and goes to school.

"Noa's father then called and we went to Saitama (north of Tokyo). He said the hospitals were up and running there, so I decided to do it for Noa's sake," says Aya as she puts braces around her younger daughter's legs as they prepare for a trip to the kindergarten.

"He soon started beating us up. It was so insane, I just had to flee again. Ignoring the risk of radiation I came back up to Fukushima prefecture," says Aya, zipping her daughter's backpack.

She now lives in a modest apartment in one of the prefecture's bigger cities sharing the fate of the tens of thousands that six months after the disaster still do not have a permanent home.

About 10,000 still live in evacuation shelters, 34,000 stay in hotels or with relatives or friends and 40,000 live in temporary housing.

ANXIETY

"I also lost my job as an insurance agent as my company moved to a different town," says Aya. With her daughter in kindergarten, she goes job hunting and says any job that would let her check on Noa from time to time will do.

Landing a job is tough, though, as the influx of evacuees from the tsunami-hit areas doubled the number of job-seekers in the Fukushima prefecture.

Like other evacuees, she blames the government for dragging its feet on mapping out the area's future.

Only last week, Tokyo said it would aim to halve radiation over two years in places contaminated by the nuclear disaster, removing soil, plants and trees in an area spanning thousands of square km. But it is not clear when, if ever, the evacuees will be able to return home.

"I want them to come out into the open and to say it clearly: you will or will not be able to go back to your place. If not, I want them to tell me what am I, and thousands of other people, supposed to do," says Aya in a trembling voice.

"I have to wonder if I'll be able to build my life here. I just can't even begin to think about what to do in the future."

(Editing by Tomasz Janowski and Jonathan Thatcher)


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Boomers to trump youth in fashion influence

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A woman carries shopping bags along a sidewalk in New York City, December 6, 2010. REUTERS/Mike Segar

A woman carries shopping bags along a sidewalk in New York City, December 6, 2010.

Credit: Reuters/Mike Segar

By Michelle Nichols

NEW YORK | Fri Sep 9, 2011 10:15am EDT

NEW YORK (Reuters) - Amid fears the United States could slip back into recession, fashion designers should focus less on youth and create styles that tap the strong economic power of the baby-boom generation, industry experts say.

Instead of designing for young buyers and adjusting those styles to sell to older generations, experts say designers should put baby boomers first -- those born between 1946 and 1964, who now make up almost a quarter of the U.S. population.

There are already signs of such a shift, fashion insiders said.

"The whole youth culture is becoming a niche market," said David Wolfe, creative director of The Doneger Group, which forecasts fashion trends. "The boomers are regaining fashion economic control."

"(Designers) are just starting to wake up. It's such a difficult quantum leap for most companies who, since the 60s, have felt that the youth market is setting all the trends," he said. "Many of the trends that are being set are not applicable to an older person's lifestyle."

Almost 100 designers are showing their collections for spring/summer 2012 at New York Fashion Week, which started on Thursday, and dozens more are showing at other venues around the city to coincide with the semi-annual event.

On Thursday, designer Tadashi Shoji showed several evening dresses with sleeves -- something department stores and consumers have been craving because women of a certain age do not want to bare their arms, said Wolfe.

Gregg Andrews, a fashion director at department store Nordstrom, said recent fashion trends that were "bare and sexy" had left fashion-conscious baby boomers frustrated.

"The baby boomers were like 'OK what am I supposed to wear? Hello? I'm the one with all the money, yet you're showing all these clothes that I can't wear,'" said Andrews, adding he hoped to see trends with wide appeal at New York Fashion Week.

TRIPLE-DUTY CLOTHES

The recession and economic turmoil of the past few years has also generally produced consumers who are more picky when it comes to quality and value. But they have not deserted their favorite brands -- they have just been buying less.

When the economy was at its roughest, women were not buying as robustly as before, said Neiman Marcus Fashion Director Ken Downing.

"She wasn't running to a lesser brand, she was just buying less of it. She was being more discriminating with her dollars," he said. "The days of fancy price tags for no reason don't exist."

As a result, fashions directors from top U.S. department stores expect to see a trend toward separates that can be mixed and matched on the runways at New York Fashion week.

"They don't want something that can only go to one party or one night out and never be worn again. They want things that do double and triple duty in their wardrobe," said Nordstrom's Andrews.

NO SPENDING EMBARRASSMENT

While the economic recovery is wavering and consumer confidence wallows at a two year low, people are still buying. High-end department stores are showing the largest sales gains, and U.S. retail sales in July posting their biggest sales increase in four months.

But Saks Chief Executive Steve Sadove told investors last month that stock market volatility was forcing his chain to be cautious in how much inventory it plans to carry for the upcoming holiday season.

Consumer spending in the United States accounts for 70 percent of the U.S. economy.

"Women are still shopping, they're buying, but they are thinking about their purchases carefully and so they expect quality and versatility in the garments that they are buying and they expect real value," said Saks Fifth Avenue Senior Fashion Director Colleen Sherin.

Although luxury chains have reported strong sales gains, August sales results show that chains catering to lower-income shoppers -- such as JC Penney Co Inc and Kohl's Inc -- have yet to resort to bargains to lure shoppers.

"If you are very, very wealthy and you took a hit, you are still doing better than most of us," said Elle magazine Fashion News Director Anne Slowey. "They are still spending their money -- they are just not as embarrassed about it as they were say in 2008 when people were losing their homes."

(Additional reporting by Phil Wahba; Editing by Mark Egan and Peter Cooney)


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Death industry reaps grim profit as Japan dies

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By Tim Kelly

TOKYO | Sun Sep 11, 2011 11:59pm EDT

TOKYO (Reuters) - Across from a noodle shop in a Yokohama suburb, Hisayoshi Teramura's inn looks much like any other small lodging that dots the port city. Occasionally, it's even mistaken for a love hotel by couples hankering for some time beneath the sheets.

But Teramura's place is neither a love nest nor a pit stop for tired travelers. The white and grey tiled building is a corpse hotel, its 18 deceased guests tucked up in refrigerated coffins.

"We tell them we only have cold rooms," Teramura quips when asked how his staff respond to unwary lovers looking for a room.

The daily rate at Lastel, as it is known, is 12,000 yen ($157). For that fee, bereaved families can check in their dead while they wait their turn in the queue for one of the city's overworked crematoriums.

Death is a rare booming market in stagnant Japan and Teramura's new venture is just one example of how businessmen are trying to tap it.

In 2010, according to government records, 1.2 million people passed away, giving the country and annual death rate of 0.95 percent versus 0.84 percent in the United States, which is also the global average.

The rate of deaths is on the increase. Last year, there were an extra 55,000 dead and over the past decade, an average of 23,000 more people have died each year in Japan.

Annual deaths are expected to peak at 1.66 million in 2040 as the bulk of the nation's baby boomer generation expires. By then, Japan's population will have shrunk by around 20 million people, an unprecedented die off for a nation neither at war or blighted by famine.

Although two decades of economic malaise has weighed on incomes, a tradition on splashing out on ceremonies means the Japanese still pay an average of 1.2 million yen on flowers, urns, coffins and other funeral expenses. It adds up to a market worth a whopping $21 billion a year, or twice what Americans spend annually on funerals.

"There's been a rush into the market," says Teramura, who founded cemetery developer company Nichiryoku 45 years ago. Even Japan's second biggest retail chain, Aeon, rail companies and the nation's biggest farmers association, Japan Agriculture are getting into the business, he notes.

CREMATORIUM QUEUE

Teramura, 71, decided a decade ago to widen his business beyond graves to funerals and he opened Lastel last year.

Behind its flower box framed windows, hidden away from mourners, is an automated storage system. It stores and chills encoffined corpses, delivering them through hatches and into a viewing room, day or night, whenever friends and family come to pay their respects.

Building new urban crematoriums to deal with the surge in bodies is near to impossible because nobody wants the furnaces in their back yard, explains Teramura. That not-in-my-backyard crowd is forcing cities to make do with the facilities they have, even as the body count mounts.

In Yokohama, the average wait for an oven is more than four days, driving up demand for half-way morgues such as Lastel.

"Otherwise people have to keep the bodies at home where there isn't much space," says Teramura. It also provides a captive audience to which he can market his other funeral services and wares.

FREE FOR ALL

Joining Teramura in the funeral rush are a slew of new entrants, some of them refugees from a shrinking wedding industry.

Entry to the industry is easy. There are no licenses or mandatory qualifications. All any wannabe funeral director needs is an office and a telephone. Flowers or coffins are easy to order and ceremonial halls, hearses and monks are all for hire.

In the United States, by comparison, most funeral entrepreneurs need to study for three years, including a stint as an apprentice before regulators consider handing out a license.

In a recent poll of 2,796 funeral industry related firms, Japan's Ministry of Economy Trade and Industry (METI) found that a third have been in business for a decade or less.

It's becoming a wild west market in some ways, attracting the honest operators and the not so reputable too.

"People tend to leave things to the funeral director and some people take advantage of that. So instead of a 100,000 yen coffin you may end up with a 1 million yen cask," Teramura says.

A lack of official oversight and a wealth of cash transactions also makes it a magnet for full fledged mobsters, or yakuza, say some industry players.

A niche that the yakuza have slipped into is as brokers who introduce funeral homes to hospitals, said one funeral director, who declined to be identified. That role alone can pull in millions of dollars in commissions.

Just how fast the industry is growing is hard to ascertain.

METI in 2005 said there were 4,107 companies employing 49,079 people. Across the street at the Ministry of Internal Affairs and Communications, officials say there were 6,606 firms in 2006, supporting a workforce of 72,046.

Yoshiatsu Mitsuhashi, who is in charge of compiling the METI survey, said that growth may even understate the pace, because the ministry changed the way it gathered data.

"It probably does indicate that the number of operators is rising, but we don't really know," he admits.

Tokyo-based Yano Research Institute said companies positioned to succeed may be former wedding organizers able to respond to growing demand for personalized services on a tighter budget -- changes that have roiled the bridal industry already.

Yano predicts the funeral market will be worth 1.96 trillion yen by 2015.

BRIDAL REFUGEE

One former wedding organizer trying his hand at the death industry is Takayuki Nakagawa. In 2002, he founded Urban Funes, which offers customized theme funerals from a converted wedding chapel in a Tokyo suburb.

For recent events, Nakagawa has asked his staff to collect discarded fruit and vegetable boxes for the funeral of a greengrocer. For another, he asked them to come up with a fitting send off for father and husband who for four decades had blown half his salary on booze and gambling.

"People are less bothered about following customs," says Nakagawa in his offices above the hall where workers were arranging flutes and other memorabilia as part of a final farewell for a middle-aged woman.

To make money Nakagawa, who has no qualifications as a funeral director, says he keeps his operation lean, outsourcing whatever he can. Within five years he wants to do 3,000 funerals a year, compared with 900 in the last 12 months.

"The places that are struggling are those with a lot of facilities," says Nakagawa.

Those include mutual associations known as gojokai, set up to collect monthly fees from members, meant to pay a chunk of funeral expenses when they pass on. Those funds combined amount to more than 1.7 trillion yen, according to the industry association that most are members of.

Over-exuberance during Japan's Shangri-La bubble years meant they invested much of that money poorly in golf memberships, event halls and real estate, leaving many teetering on the brink of failure two decades on.

The Japanese government is pushing for the industry to consolidate, cajoling stronger operators to absorb weaker ones. A round of funeral fund failures will allow investors to make at least some money for their distressed assets, Nakagawa reckons.

"We aren't ordering them to combine, but encouraging them to act in order to avoid problems for consumers," explains an METI official in charge of overseeing the associations. "It's difficult to give a timeline for when this issue will be resolved," he adds.

As for Lastel's Teramura, he's pushing ahead with expansion plans.

He pulls out his mobile phone and shows a picture of an office building he just bought in another Yokohama neighborhood. When he has finished renovating it will be his second Lastel, with room for 40 bodies, more than double the first.

He refuses to divulge, however, exactly where it is in case any NIMBY neighbors get wind of what he is up to and try to kill his latest corpse hotel.

(Editing by Michael Flaherty and Lincoln Feast)


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luni, 12 septembrie 2011

Travel Postcard: 48 Hours in Hobart, Australia

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Fishing boats and pleasure crafts are seen docked at Constitution Dock in Hobart August 28, 2011. REUTERS/Martin Passingham

1 of 8. Fishing boats and pleasure crafts are seen docked at Constitution Dock in Hobart August 28, 2011.

Credit: Reuters/Martin Passingham

By Pauline Askin

HOBART, Australia | Fri Sep 9, 2011 6:25am EDT

HOBART, Australia (Reuters) - Flanked by mountains and the sea, Hobart is Australia's most southern city. In late December through early January each year it becomes a "maritime Mecca," with yachts sailing across the finish line in the grueling Sydney to Hobart race.

The abundance of sailors converging on the city then resembles its early days of white settlement when Hobart, the capital of Tasmania, was a bustling whaling port and former penal colony.

Hobart, a 70-minute flight from Melbourne, is also a base for Antarctic expeditions engaging in research from the deep south, and it's not unusual to see these massive research vessels moored along the quay wall.

Reuters correspondents with local knowledge help visitors get the most out of a 48-hour visit.

FRIDAY

5 p.m. Check into one of Hobart's newest hotels, The Henry Jones Art Hotel, located on 22 Hunter Street, which offers waterfront and mountain views. www.thehenryjones.com

Then head out to soak up the waterfront ambience and stroll over to The Customs House Hotel, just five minutes away. Australia's oldest brewery is in Hobart, so enjoy a drop of local Cascade beer before dinner. www.customshousehotel.com

8 p.m Nearby is Muir's Upper Deck restaurant. Nestled between Victoria and Constitution Docks, the establishment owns its own fishing fleet, guaranteeing a fresh catch daily. www.upperdeck.com.au

Whether diners choose oysters, seafood chowder, the catch of the day or a "fisherman's basket," accompanied by local wine -- perhaps from the Tamar Valley, which has developed a reputation for its Chardonnay and Pinot Noir -- the night will be memorable.

SATURDAY

9 a.m. Leave the waterfront views behind and venture through the heart of the city for a wander before popping into The Italian Pantry Cafe-Deli at 34 Federal Street. After enjoying a light breakfast of coffee and Italian pastries, take the time to wander through the Deli with its trove of Italy's finest produce including cheeses, sausages, pasta, sugo and pickled vegetables. The friendly staff are always happy to have a chat. www.italianpantry.com

11 a.m Visit Salamanca Place and immerse yourself in local island culture at the weekly Saturday markets. Visitors may get a glimpse of royalty as Princess Mary of Denmark, a native of Hobart, returns home once in awhile to visit family and has been seen wandering through the markets.

Around 300 stalls cluster between historic sandstone buildings that house galleries and cafes as fishing boats bob in the harbor. It's easy to while away hours watching artisans, listening to street musicians and sampling local products such as honey, cheeses and fresh lavender. Lunch at one of the waterfront cafes or buy something tasty at a stall and eat in nearby Parliament Gardens. www.salamanca.com.au

2 p.m For a unique artistic experience buy a $15 return ferry ticket at the waterfront to visit MONA (Museum of New and Old Art) located on the shores of the Derwent river at the Moorilla Estate winery in nearby Berriedale, just a 45-minute cruise up the river. www.moorilla.com

Surrounded by a vineyard, a cellar door and a micro-brewery, this museum is believed to be Australia's biggest private museum. On display is some of the most provocative contemporary art of recent years, including work by Australia's Greg Taylor and Germany's Julius Popp.

8 p.m Overlooking Salamanca lies the tiny suburb of Battery Point boasting historic homes and colorful garrison cottages dating back to the settlement era. Amble the quaint streets and enjoy dinner at Ristorante Da Angelo, 47 Hamden Road, for a truly authentic Italian experience. A booking is necessary.

Offerings include a pasta dish of marinara, brimming with king prawns, fish, scallops and clams in a rich tomato sauce, or Pollo Paesano Macaroni with chicken, seeded mustard, bacon, sun-dried tomatoes, olives, onions, chili in cream sauce. You can bring your own beer or wine or order from their wide selection of wines, beers and spirits. www.daangelo.com

After your hearty meal, stroll back to your hotel via Salamanca Place and enjoy the weekend social life that spills onto the cobbled streets, creating a jovial party atmosphere.

SUNDAY

8 a.m. The hotel boasts a courtyard adjoining the rooms. If the weather permits, enjoy breakfast outdoors, taking in the views of Mount Wellington.

8.30 a.m. Experience Hobart's wilderness with a fully guided half day (full day optional) tour of Mt Wellington with Mt Wellington Walks. This eco-friendly company will submerge you in a timeless world of ancient forests and windswept peaks 1,270 meters (yards) above sea level. Visitors will get a rare opportunity to see Tasmania as the first settlers saw it in this windy wilderness. www.mtwellingtonwalks.com.au

1 p.m. To begin the wind down before leaving Tasmania's fair shores, grab some fish and chips or fresh oysters from the floating boats near Constitution Docks and rest your weary legs. From this vantage point you may see one or more of the icebreaker research ships bound for Antarctica, including the Australian Antarctic Division's "Aurora Australis" and the French Polar Institute's "l'Astrolabe."

Or, for the more adventurous, perhaps a 90-minute cruise on the Derwent river aboard the Lady Nelson tall ship. Where possible the volunteer crew will encourage passengers to help set sails or take a turn at the helm. For A$15 this is a fantastic way to be part of a bygone era of traditional sailing on the high seas. www.ladynelson.org.au

(Editing by Elaine Lies)


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Insight: Feast of protein in U.S. spring wheat harvest

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A ladybug crawls down a stalk of wheat ready for harvest on the Canadian prairies near Vulcan, Alberta, September 7, 2011. REUTERS/Todd Korol

A ladybug crawls down a stalk of wheat ready for harvest on the Canadian prairies near Vulcan, Alberta, September 7, 2011.

Credit: Reuters/Todd Korol

By Michael Hirtzer

CHICAGO | Fri Sep 9, 2011 10:22am EDT

CHICAGO (Reuters) - North Dakota wheat farmer Terry Weckerly applied extra fertilizer to his wheat this summer to coax more protein out of the crop. Flour mills and grain elevators were paying near-record premiums for high-protein wheat and he wanted a slice of it.

The fertilizer worked too well. Weckerly and other spring wheat farmers are harvesting a crop with protein content of more than 15 percent. The protein-richest crop in five years has led to those high premiums evaporating.

Scorching weather in July stressed the crop, which usually leads to lower yields even as the wheat plants devote more energy to protein production.

However, premiums for higher protein wheat -- which this March had soared to more than $6 per bushel above Minneapolis Grain Exchange spring wheat futures -- the highest since 2008 -- are now gone due to an abundance of it, replaced by a dynamic some grain industry insiders have not seen in a decade: a push for low-protein spring wheat.

"We're going from famine to feast," said a manager at a Canadian grain elevator, who like several of the dozen grain merchants interviewed for this article was not authorized to speak on the record.

North Dakota is the top producer of hard red spring wheat, which is one of the most valuable wheat varieties, prized for its high protein and gluten content.

Flour produced with high-quality spring wheat better absorbs water, making a dough that in turn results in airier, more stable loaves of bread, bagels, rolls or pizza crusts.

The total U.S. spring wheat crop, excluding the durum used to make pasta, was forecast by the U.S. Agriculture Department at 522 million bushels, down 15 percent from last year, with both the crop and yield estimated to be lowest in four years.

MGEX spring wheat futures are trading near a three-month high due to the small crop, closing at $9.50 per bushel on Thursday, and the Minneapolis premium over Chicago Board of Trade wheat remains at about a two-month high.

The globally-tracked CBOT trades in the lower protein soft red winter wheat futures, while hard red winter wheat trades at the Kansas City Board of Trade.

But with half of the crop harvested, the wheat had an average protein content of 15.1 percent, up from averages of 13.7 percent and 13.2 percent during the past two years, according to the U.S. Wheat Associates.

It would be the most protein since 2006 and only the second time in the last 10 years the crop averaged more than 15 percent protein.

Cory Tryan, who manages the Alton Grain Terminal in Hillsboro, North Dakota, said: "The (protein) scales always adjust to what comes off each season, as the mills and the export market adjust to what we have. It's not uncommon. It's just such a wide swing in one year that everyone is up in arms about it."

MILLS HUNT FOR LOW-PROTEIN WHEAT

Two months ago, rail cars of 15 percent protein wheat delivered to Chicago were priced $5.10 per bushel above the benchmark MGEX futures price while 13 percent wheat was 80 cents above futures, according to USDA data. Last week, the price was the same for 13 or 15 percent protein.

"The premiums have basically disappeared," said Dan DeRouchey, general manager of Berthold Farmers Elevator near the North Dakota-Minnesota border.

In normal years, elevators would slash the price they give farmers for wheat delivered under 13.5 or 14 percent protein, but this year flour mills and elevators are seeking low-protein spring wheat from Montana or South Dakota, or hard red winter wheat from Colorado, Nebraska or Kansas.

"We're looking for anything below 13 percent protein right now," said a grain buyer at a Kansas flour mill.

The southern U.S. Plains HRW wheat harvest also had higher-than-normal protein this year while some lower-quality HRW supplies are being used as animal feed after wheat prices fell below corn for the first time since 1996.

"The market is saying we don't need to pay up for protein. The market is going to have to pull those lower proteins out now," Country Hedging analyst Tim Emslie said.

IMPORTERS HAPPY WITH HIGH PROTEIN WHEAT

Importing countries, such as Japan, which favors high-quality wheat, may welcome shipments with more protein.

"Some of our overseas customers, particularly in Asia are happy to see the high protein," said Erica Olson, marketing specialist at the North Dakota Wheat Commission.

But it could be several more weeks before U.S. mills adjust to the new-crop wheat still coming out of the fields. Mills, above all, value consistency and work to produce a uniform product, whether they have to blend up, or down, the protein content in their flour.

Vance Taylor, president of the state-owned North Dakota Mill, declined to comment on any challenges the mill may be facing in sourcing low-protein wheat this year.

"We have had good demand from our customers," Taylor said of the mill, which has enjoyed record profits in each of the last two years.

(Reporting by Michael Hirtzer; Editing by Alden Bentley)


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vineri, 9 septembrie 2011

Two-million-year-old South Africa fossils show links to man

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By Jon Herskovitz

JOHANNESBURG | Thu Sep 8, 2011 10:38am EDT

JOHANNESBURG (Reuters) - A well-preserved set of 2-million-year-old fossils shows a part-human, part-ape species had hands similar to man, sophisticated ankles that helped in movement and a surprisingly tiny but advanced brain, a report released Thursday said.

The fossils, discovered in a sunken cave north of Johannesburg, may change views of the origins of humans. They show a combination of anatomical features never seen before, demonstrating close links to the species and humans.

"The many very advanced features found in the brain and body, and the earlier date make it possibly the best candidate ancestor for our genus, the genus Homo, more so than previous discoveries," said Lee Berger, at the Institute for Human Evolution at the University of the Witwatersrand in Johannesburg.

Berger and a team of experts examined fossils from the site, and in findings to be published in the prestigious periodical Science said they found the most complete hand on the species called hominins, the most complete, undistorted hip bone and well-preserved ankle bones.

"This is giving us insight, that isn't guesswork into an area of anatomy that is crucial and critical in how human walking evolved," Berger said of the foot and ankle bones.

The hand, which was described as a human-like at the end of an ape-like arm, had a precision grip that could have aided in making tools, said team member Tracy Kivell, a researcher at Germany's Max Planck Institute.

Its elongated thumb differs from that of apes and allows for it to grasp objects more firmly.

The grapefruit-sized brain of the hominins with a shape close to that of humans and may challenge theories about brain enlargement in human development, they said.

Since the discovery of the site in August 2008, 220 bones have been found of the early hominins, representing at least five individuals. The paper in Science is based on a detailed analysis of two of the individuals.

(Editing by Karolina Tagaris)


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Some fearful China billionaires steer clear of rich list

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Gome's new Chairman Zhang Dazhong is led away after a news conference announcing the company's results in Hong Kong March 28, 2011. REUTERS/Bobby Yip

Gome's new Chairman Zhang Dazhong is led away after a news conference announcing the company's results in Hong Kong March 28, 2011.

Credit: Reuters/Bobby Yip

By Jane Lee

SHANGHAI | Thu Sep 8, 2011 9:41am EDT

SHANGHAI (Reuters) - Growing numbers of China's rich want to avoid publicizing their wealth, Forbes said, reflecting fears of official scrutiny amid a vast and growing rich-poor divide after several billionaires have ended up in jail.

Rural incomes have been rising more slowly than urban incomes for two decades -- a factor that could threaten social stability and the ruling Communist Party's grip on power in a country where 150 million people still live on just $0.50 a day.

More of the newly rich than in recent years asked to be left out of Forbes Asia's latest China rich list, said Russell Flannery, a senior editor at the magazine who oversaw the compilation of the list, which was released on Thursday.

"I think it's a reflection in a bit of a sea change in Chinese society right now," said Flannery. "...There's a lot of concern in China about the wealth gap."

Several once high-flying members of earlier rich lists have ended up in jail, including Huang Guangyu, the founder of Gome Electrical Appliance Holding Ltd, and Shanghai property tycoon Zhou Zhengyi.

CLSA Asia-Pacific Markets in a study released on Thursday estimated that China will account for 60 percent of the rise in high net-worth individuals' wealth in Asia over the next five years.

EARTH-MOVING MAGNATE

The latest rich list pitted stolid industrial muscle against high-tech, with the head of an earth-moving company pipping the co-founder of the nation's biggest Internet search engine for the top spot.

Liang Wengen, the chairman of Sany Heavy Industry, came in at number one on the Forbes list, a day after the rival Hurun Rich List also gave the top spot to the magnate, whose company makes earth-movers, pile drivers and concrete mixers powering the nation's urban transformation.

Forbes estimated Liang's wealth at $9.3 billion.

"This is a remarkable story of people growing up dirt poor in Changsha in Hunan Province, and from one group of people, getting seven of them on the Forbes China Rich List, including four billionaires," said Flannery.

Along with Liang, three other entrepreneurs associated with Sany are on the rich list: Tang Xiuguo, Mao Zhongwu of Xiang Wenbo. Liang, Mao and Tang were all founders of the company.

Other members of the Forbes top-ten included Liu Yonghao, an agribusiness magnate, and several real estate investors.

Sany's success partly reflects the rapid growth of China's high-value added manufacturing sector over the past decade, with exports from makers of pricy machinery and construction equipment advancing faster than low-value goods like toys. Sany is based in Changsha, the capital of Hunan in southern China.

"We've seen a structural change in Chinese exports that started several years ago. If you look at the export compound annual growth rate from 2003-2008, you can see that low value goods are not growing fast -- usually single digit or at most low teens. High value are growing at 40-50 percent," said David Lee, a China-based partner with Boston Consulting Group, who specializes in industrial goods.

The company says it has over 60,000 employees and sales revenue of 50 billion yuan last year. Despite the gritty image of earth-moving equipment, the company also says it channels at least 5 percent of that revenue into research and development and has production plants in the United States, Germany, India and Brazil.

Forbes gave the second place to Robin Li, a founder of Baidu, China's dominant Internet search engine, who the magazine said had personal wealth of about $9.2 billion. Li could have snatched the top spot if it wasn't for the volatility of share markets in the United States, where Baidu is listed.

All in all, Forbes estimated that China's crop of billionaires grew from 126 last year to 146 now.

(Additional reporting by Don Durfee and Reuters Inisder Television; Writing by Chris Buckley and Muralikumar Anantharaman; Editing by Nick Macfie)


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